Vigils and Tax Relief @ Hugo

The Know Theatre's next show opens on April 11th. Here's a little taste:


Also, if you are looking for a way to spend your tax refund, look no further than Hugo for the Know's Post Tax Relief Fun! on April 16th from 6 to 9 PM.

Coverage of the Widmer Trial

It's wrapped up for the day, but WLWT is liveblogging the Ryan Widmer trial in Warren County. The software being used actually permits readers to pose questions to the blogger in real time. It's an interesting way of covering a live event and one that is, in this instance, quite effective.

Final Weekend For Bent

This weekend is the last chance to see Newstage Collective's production of Bent. The importance of this show is captured in the video preview:


Tickets are $20 and available on-line at www.newstagecollective.com or at the door. The final performances are April 2-4 at 8 PM and April 5 at 3 PM. Don't miss this show.

NAACPCOAST

Kevin Osborne uncovers the unseemliness of the Chris Smitherman and Chris Finney relationship.

He has another blog post adding to the print article.

Yeah, I really don't see how anyone can see the Finney-Smitherman union as anything other than a "Fuck You" to the GLBT community.

Is Smitherman tilting the local NAACP to the right on some issues to appease Finney? This article puts that thought in my mind. That aside, I think the Enquirer needs to stop reacting to every press release from Smitherman.

Miami Makes Frozen Four!

Love and honor to Miami,
Our college old and grand,
Proudly we shall ever hail thee,
Over all the land.

Alma mater now we praise thee,
Sing joyfully this lay,
Love and honor to Miami,
Forever and a day.

Read all about Miami's first ever trip to the College Hockey final four.

Cincinnati Has a Buzz

We still have a ways to go but a 4% increase in YPs is a sign that things are looking good.

I Just Want To Bang On The Drum All Day

One of the real joys of living in Cincinnati is the opportunity to hear the Cincinnati Symphony.  It's become a  bit cliche to say this, but it's true:  we are shockingly fortunate to have a symphony orchestra this good in a city the size of Cincinnati.

Last night, CSO performed three pieces, the world premiere of a piece by Jeremy Mumford, a percussion concerto by Jennifer Higdon, and Beethoven's Fifth.  Janelle Gelfand's review of Friday's concert (with the same program) is here.

I'd never heard a percussion concerto before, but it was terrific.  Read Gelfand's review for a more coherent description of the performance, but it was breathtaking.  The audience rewarded it with one of the most robust standing ovations I've seen at Music Hall (and perhaps the most sustained approval of any non-Paavo-conducted performance).  I'd read a review of Colin Currie's (the featured percussionist) performance of the work with another orchestra, so I was expecting an excellent performance from him.  I didn't realize, though, how much work the piece left for the CSO's own percussionists to do (or how brilliantly they'd do it).

I'm going to politely disagree with Gelfand's review of the Mumford piece.  That was the kind of work that gives people bad feelings about modern orchestral music.  (When the conductor feels the need to explain to his audience "how to listen to" the work his orchestra is about to perform, there's a good chance the next fifteen or twenty minutes of your life will be a bit unpleasant.)  And any time you read in a review about "tone clusters," you know that the music is comprised of the discord that pops up in the background of your worst dreams.  (Yes, my dreams are often scored--aren't yours?)

It was a particularly interesting--odd?--choice to place the Mumford on last night's program, with Higdon and Beethoven.  Beethoven's Fifth is one of those pieces that even non-hardcore symphony-goers enjoy.  So, frankly, was the Higdon.  But the Mumford?  After the concert, I couldn't help thinking of Liz's review of JeanRo's "nose to tail" dinner.  Both are artistic forays that people would really like to convince themselves they're sophisticated to enjoy, but at the end of the night, you'd be a lot happier with a classic (like Beethoven's Fifth or a fillet mignon).  So maybe it's my fault--my musical palate just isn't up to Mumford's level.

Luckily, a few weeks from now, all I (or most people, I suspect) will remember from the evening will be Currie's amazing performance of Higdon's awesome concerto.